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・ La Maison jaune
・ La maison où j'ai grandi (album)
・ La Maison Rouge
・ La Maison Simons
・ La Maison Tellier
・ La Maison Tellier (book)
・ La Maison Tellier (group)
・ La Maison Tellier (short story)
・ La Maison Troisgros
・ La Maison-Dieu
・ La maja desnuda
・ La maja vestida
・ La Majada, Catamarca
・ La Majada, San Luis
・ La Makina
La mala ordina
・ La Malachère
・ La Malahá
・ La malavita attacca... la polizia risponde!
・ La Malbaie
・ La Maldicion de la Bestia
・ La maldición de la blonda
・ La maleta
・ La Maleva
・ La Malhoure
・ La Malinche
・ La Malinche National Park
・ La Malinconia
・ La Malintzin
・ La Malle Bernard


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La mala ordina : ウィキペディア英語版
La mala ordina

''La mala ordina'' (aka ''The Italian Connection'') is a poliziottesco film written and directed by the Italian crime film specialist Fernando Di Leo in 1972. It is the second part of Di Leo's ''Milieu Trilogy'', starting with ''Milano calibro 9'' in 1972 and ending with ''Il Boss'' (The Boss) in 1973. It had also been released under a number of titles including ''The Italian Connection'', ''Manhunt in Milan'', ''Manhunt'', ''Hired to Kill'' and ''Black Kingpin''.
== Plot ==
Small-time pimp Luca Canali (Mario Adorf) is hunted by both local mobsters and two killers (Henry Silva and Woody Strode) sent by the New York mafia after a shipment of heroin fails to arrive. But it becomes apparent he is not as soft as he appears as a deadly cat-and-mouse game is played out on the streets of Milan. The film contains a dramatic chase scene where Canali pursues an assassin both on car and on foot.
The two American hitmen have contrasting personalities. Dave (Silva) is something of a playboy and loudmouth, while Frank (Strode) is quiet and professional. The concept of two hitmen teamed up, one black and one white, appears to have been a likely inspiration for the characters played by John Travolta and Samuel L. Jackson in Pulp Fiction.〔(Italian B-Movies: Tarantino's inspiration )〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「La mala ordina」の詳細全文を読む



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